Quem somos?

Ana Alves
António Rebelo
Cristina M. Fernandes
Lídia Pereira
Luís Rei
Marta Almeida
Paulo Azevedo
Zazie

Colaborador de estimação

Repórter Lírico

Nadador-salvador

Henri Michaux

Desaparecido

Escrivão Bartleby


janela_indiscreta@hotmail.com

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Arquivos
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SALA DE EXPOSIÇÕES

Boogie Woogie



SALA DE LEITURA

a poesia vai acabar



HÁ UM TRAÇO AZUL

IF no ar

um som profundo do Outono

IF (8 abril 2004)

IF (verão 2004)



O NOSSO CORRESPONDENTE
EM COIMBRA


innersmile



ACTUALIDADES

Frescos



BLOGS CÁ DE CASA

A aba de Heisenberg

¦a¦barriga¦de¦um¦arquitecto¦

Abrupto

A Causa foi modificada

A Corneta

Adufe

A formiga de langton

A Espuma dos Dias

A Lâmpada Mágica

Almocreve das Petas

A memória inventada

A Montanha Mágica

A Natureza do Mal

António Reis

aoeste

A Oeste Nada de Novo

Apenas um pouco tarde

A Praia

avatares de um desejo

Aviz

Barnabé

Beco das Imagens

Bisturi

Blasfémias

Blog de Esquerda

Blogue dos Marretas

Borras de Café

Campo de Afectos

chafarica iconoclasta

cócegas na língua

Conta Natura

Contra a Corrente

Conversas de Café

Crítico

Crónicas da Terra

Cruzes Canhoto

daily dose of imagery by Sam Javanrough

desassossegada

Dias com árvores

Don Vivo

Dragoscópio

Driving Miss Daisy

Engrenagem

Epicentro

Epiderme

Errância

Espigas Reloaded

esplanar

flux+mutability

Fora do Mundo

Ford Mustang

freira dadaísta

Fumaças

Gávea

Glória Fácil

Grande Loja do Queijo Limiano

Guil

Hipatia

Húmus

Indústrias Culturais

Íntima Fracção

Juramento sem Bandeira

Kafka Sumiu em Belo Horizonte?

laranja amarga

Leitura Partilhada

little black spot

MacJete

martaverissimo.net

Mar Salgado

Modus Vivendi

¦Murmúrios do Silêncio¦

Não esperem nada de mim

No Arame

Nocturno 76

Notícias do cais

Oceanos

O céu ou las vegas

O céu sobre Lisboa

O Cheiro a Torradas pela Manhã

O Farol das Artes

O Gato Fedorento

O Intermitente

Os Espelhos Velados

OzOnO

Palavras da Tribo

Pastilhas

Percepções do meu olhar...

Pessoas de Romance

Planeta Reboque

Prazer Inculto

Quartzo, Feldspato & Mica

quase em português

rainsong

Reflexos de Azul Eléctrico

Retorta

roda livre

Ruialme

Seta Despedida

saudades de antero

Silencio

Sous les pavés, la plage!

Tempo Dual

Textos de Contracapa

Thelma & Louise

There's Only 1 Alice

Timewatching

tomara que caia

torneiras de freud

triciclofeliz

um mundo imaginado

Vermelhar

UmbigoNiilista

UmblogsobreKleist

universos desfeitos

Vidro Azul

Vila Dianteira

Viver todos os dias cansa

Voz do Deserto

Welcome to Elsinore

What do you represent

100nada



GONE WITH THE WIND

A Coluna Infame

Alfacinha

Bicho Escala Estantes

Caim & Abel

Desejo Casar

Dicionário do Diabo

Espigas ao Vento

Flor de Obsessão

intrusos

Kafka Sumiu em Belo Horizonte

Lérias...

My Moleskine

O Companheiro Secreto

Outro, eu

O tal Canal

Pintainho


Janela Indiscreta
 
quinta-feira, dezembro 04, 2003  
"Turn off your mind relax and float downstream.

Litkicks has been around since July 23, 1994, and we're still here. We never had a business model, which is why we don't have to go out of business now.

The site is devoted to a few experimental literary movements that tried to uncover some deeper truths about life. In studying the life stories of the writers as well as their works, there are sometimes even more interesting truths to be revealed than are found in the works themselves. We at Literary Kicks believe in deconstructionism as long as you clean up after you're done. And we do not believe masterpieces exist, nor do we want them to. We prefer the glory of brilliant mistakes."




Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and subtlety--leaning to it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world. Then had come Charlie Parker, a kid in his mother's woodshed in Kansas City, blowing his taped-up alto among the logs, practicing on rainy days, coming out to watch the old swinging Basie and Benny Moten band that had Hot Lips Page and the rest Charlie Parker leaving home and coming to Harlem, and meeting mad Thelonious Monk and madder Gillespie--Charlie Parker in his early days when he was flipped and walked around in a circle while playing. Somewhat younger than Lester Young, also from KC, that gloomy, saintly goof in whom the history of jazz was wrapped; for when he held his horn high and horizontal from his mouth he blew the greatest; and as his hair grew longer and he got lazier and stretched-out, his horn came down halfway; till it finally fell all the way and today as he wears his thick-soled shoes so that he can't feel the sidewalks of life his horn is held weakly against his chest, and he blows cool and easy getout phrases. Here were the children of the American bop night.

Jack Kerouac


posted by camponesa pragmática on 16:01


 
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