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SALA DE EXPOSIÇÕES

Boogie Woogie



SALA DE LEITURA

a poesia vai acabar



HÁ UM TRAÇO AZUL

IF no ar

um som profundo do Outono

IF (8 abril 2004)

IF (verão 2004)



O NOSSO CORRESPONDENTE
EM COIMBRA


innersmile



ACTUALIDADES

Frescos



BLOGS CÁ DE CASA

A aba de Heisenberg

¦a¦barriga¦de¦um¦arquitecto¦

Abrupto

A Causa foi modificada

A Corneta

Adufe

A formiga de langton

A Espuma dos Dias

A Lâmpada Mágica

Almocreve das Petas

A memória inventada

A Montanha Mágica

A Natureza do Mal

António Reis

aoeste

A Oeste Nada de Novo

Apenas um pouco tarde

A Praia

avatares de um desejo

Aviz

Barnabé

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Bisturi

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chafarica iconoclasta

cócegas na língua

Conta Natura

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Crítico

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Cruzes Canhoto

daily dose of imagery by Sam Javanrough

desassossegada

Dias com árvores

Don Vivo

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esplanar

flux+mutability

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Ford Mustang

freira dadaísta

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Guil

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Kafka Sumiu em Belo Horizonte?

laranja amarga

Leitura Partilhada

little black spot

MacJete

martaverissimo.net

Mar Salgado

Modus Vivendi

¦Murmúrios do Silêncio¦

Não esperem nada de mim

No Arame

Nocturno 76

Notícias do cais

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O céu sobre Lisboa

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OzOnO

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quase em português

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roda livre

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Silencio

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Tempo Dual

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There's Only 1 Alice

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tomara que caia

torneiras de freud

triciclofeliz

um mundo imaginado

Vermelhar

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UmblogsobreKleist

universos desfeitos

Vidro Azul

Vila Dianteira

Viver todos os dias cansa

Voz do Deserto

Welcome to Elsinore

What do you represent

100nada



GONE WITH THE WIND

A Coluna Infame

Alfacinha

Bicho Escala Estantes

Caim & Abel

Desejo Casar

Dicionário do Diabo

Espigas ao Vento

Flor de Obsessão

intrusos

Kafka Sumiu em Belo Horizonte

Lérias...

My Moleskine

O Companheiro Secreto

Outro, eu

O tal Canal

Pintainho


Janela Indiscreta
 
quinta-feira, outubro 09, 2003  
sob escuta



In 1972 I was in the south of France. I had eaten some bad fish and was in consequence rather ill. As I lay in bed I had a strange recurring vision, there, before me, was a concrete building like a hotel or council block. I could see into the rooms, each of which was continually scanned by an electronic eye. In the rooms were people, everyone of them preoccupied. In one room a person was looking into a mirror and in another a couple were making love but lovelessly, in a third a composer was listening to music through earphones. Around him there were banks of electronic equipment. But all was silence. Like everyone in his place he had been neutralized, made gray and anonymous. The scene was for me one of ordered desolation. It was as if I were looking into a place which had no heart. Next day when I felt better, I went to the beach. As I sat there a poem came to me. It began ‘I am the proprietor of the Penguin Cafe. I will tell you things at random.’

Perhaps I should observe that I don't write poems. These words which came to me were somehow accidental, unconscious. The proprietor went on to explain his cafe. He said that the random, chance element in life is terribly vital. If through fear we allow the repression of spontaneous and unpredictable actions and events in order to make life "safer", the creativity that arises naturally from the hurly-burly of human life could be destroyed and lost. He kept saying" Come to the Penguin Cafe where things just aren't like that". A short time later I went to Japan. Perhaps it was a culture shock of finding myself in a new world that prompted me to think again about the Penguin Cafe. I started writing about it describing the things that went on there. It was very surreal. Tape recorders had the same validity as human beings. Beethoven was there, as well as ordinary people.

I started writing the kind of music played in the cafe. What sort of music is it? Ideally I suppose it's the sort of music you want to hear, music that will lift your spirit. It's the sort of music played by imagined wild, free, mountain people creating sounds of a subtle dreamlike quality. It is cafe music, but café in the sense of a place where people's spirits communicate and mingle, a place where music is played that often touches the heart of the listener.

Originally I created the Penguin Cafe Orchestra to make such music. I wrote for violin, cello, guitar and piano but I use whatever instruments I have..."


Simon Jeffes

posted by Anónimo on 16:51


 
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